Contemporary Folk band featuring Michael King, Benjamin Gilchrist, Anna Bennett , Lydia Glanville
Contemporary Folk band featuring Michael King, Benjamin Gilchrist, Anna Bennett , Lydia Glanville
Cecilia Costello (née Kelly, 24 October 1884–20 April 1976) was an English traditional singer whose repertoire of folk songs was recorded by folk music scholars in the 1950s and 1960s.
Born near the Bull Ring in Birmingham, she was the youngest of 10 children of parents who left Ireland to escape famine. She is first recorded making screws in Digbeth, and later as a brass polisher in the Birmingham Workhouse Infirmary in Winson Green in 1901. She married Thomas Costello in 1904 and they had 8 children.
Costello was visited twice – in 1951 and 1954 – by folk music researcher Marie Slocombe of the BBC Sound Archive, who recorded 13 songs of hers. Charles Parker visited her in 1967 and recorded a series of interviews. These were combined on a record released in 1975.
The recorded songs of Cecilia Costello largely reflect urban life. She is notable for performing songs from the Irish tradition in a musical and linguistic dialect that identifiably belongs in the English West Midlands, illustrating how immigrant cultures were quickly assimilated within the local musical tradition. A later commentator analysed her work: “To listen to that warm Brummie voice in the excerpts from Charles Parker’s interviews … you wouldn’t dream that this old lady was only a generation away from rural Ireland.”
https://en.wikipedia.org/wiki/Cecilia_Costello Creative Commons Attribution-ShareAlike License
One of the giants of Birmingham’s musical history, Dave Swarbrick is an English folk musician and singer-songwriter. He has been described by Ashley Hutchings as ‘the most influential [British] fiddle player bar none’ and his style has been copied or developed by almost every British, and many world folk violin players who have followed him. He was one of the most highly regarded musicians produced by the second British folk revival, contributing to some of the most important groups and projects of the 1960s, and he became a much sought-after session musician, which has led him throughout his career to work with many of the major figures in folk and folk rock music.
His work for the group Fairport Convention from 1969 has been credited with leading them to produce their seminal album Liege and Lief (1969) which initiated the electric folk movement. This, and his subsequent career, helped create greater interest in British traditional music and was highly influential within mainstream rock. After 1970 he emerged as Fairport Convention’s leading figure and guided the band through a series of important albums until its disbandment in 1979.
Since then he has played in a series of smaller, acoustic units and engaged in solo projects which have maintained a massive output of recordings, a significant profile and have made a major contribution to the interpretation of traditional British music.
Early career to 1968
Born in 1941 in New Malden, now in Greater London, his family moved to Linton, near Grassington, North Yorkshire. In the late 1940s the family moved to Birmingham. In Yorkshire, he was taught to play the violin by Mr. Boothman. In Birmingham, he took classical lessons from Dame Ida Neruda, a violinist with the Halle Orchestra. He attended Birmingham College of Art (now absorbed into the Birmingham Institute of Art and Design) in the late 1950s, with the intention of becoming a printer. After winning a talent contest with his skiffle band, he was introduced to Beryl and Roger Marriott. The Marriotts took him under their wing and Beryl discovered that he had played the violin up until the skiffle craze; she actively encouraged him to switch back to the fiddle. He joined the Beryl Marriott Ceilidh Band where he soon evinced an obvious talent alongside the band’s superb fiddler Kate Graham.
He joined the Ian Campbell Folk Group in 1960 and embarked on his long and prolific recording career, playing on one single, three EPs and seven albums with the group over the next few years. He also played on recordings for the three most important figures in the British folk movement of the time A. L. Lloyd, Ewan MacColl, and McColl’s wife Peggy Seeger as well as part of several collections to which the Ian Campbell Group contributed.
From 1965 he began to work with the rising star of English folk, the guitarist and singer Martin Carthy, supporting him on his eponymous first album. The association was such a success that the next recording, Second Album (1966), gave them equal billing. They produced another four highly regarded recordings between 1967 and 1968, including Byker Hill (1967), whose innovative arrangements of traditional songs made it one of the most influential folk albums of the decade. Swarbrick also played on albums by Julie Felix, A. L. Lloyd and on the radio ballads, and became perhaps the most highly regarded interpreter of traditional material on the violin and certainly one of the most sought-after session musicians.
Session work and Fairport Convention in 1969–79
Swarbrick as a member of Fairport Convention in 1972
It was originally as a session musician that Swarbrick was called in by Joe Boyd, the manager of rising folk rock group Fairport Convention, in 1969, to undertake some over-dubs on the Richard Thompson-penned track “Cajun Woman”. Fairport had decided to play a traditional song ‘A Sailor’s Life’, which Swarbrick had previously recorded with Carthy in 1969, and he was asked to contribute violin to the session. The result was an eleven-minute mini-epic that appeared on the 1969 album Unhalfbricking and which marked out a new direction for the band.
Subsequently, Swarbrick was asked to join the group and he was the first fiddler on the folk scene to electrify the violin. Together, now with Swarbrick co-writing with Richard Thompson “Crazy Man Michael “, they created the groundbreaking album Liege & Lief (1969). His energetic and unique fiddle style was essential to the new sound and direction of the band, most marked on the medley of four jigs and reels that Swarbrick arranged for the album and which were to become an essential part of almost every subsequent Fairport performance. Before the album was released, key members of the band, founder Ashley Hutchings and singer, guitarist and songwriter Sandy Denny left, and Swarbrick stayed on with the band full-time, excited by the possibilities of performing traditional music in a rock context. His greater maturity, knowledge of folk song, reputation and personality meant that he soon emerged as the leading force in the band and continued to be so for the next decade, encouraging the band to bring in Dave Pegg, another graduate of the Ian Campbell Folk Group, on bass. However, he was already beginning to suffer the hearing problems that would dog the rest of his career.
The first album of this new line-up, Full House (1970), although not as commercially successful as Liege & Lief, sold relatively well, and remains highly regarded. Like Liege & Lief it contained interpretations of traditional tunes, including the epic ‘Sir Patrick Spens’ and another instrumental arranged by Swarbrick, ‘Dirty Linen’, but also contained songs jointly penned by Swarbrick and guitarist Richard Thompson, including what would become their opening live song ‘Walk Awhile’, and the anti-war anthem ‘Sloth’. The partnership produced another three songs on Full House. However, the fruitful collaboration was ended when Thompson departed the band soon after.
As ex-Fairport Convention members embarked on their own careers, Swarbrick was often called upon to provide musical support, as he did for albums by Sandy Denny and Richard Thompson. He also played on some of the most significant folk albums of the era, including work by John Renbourn, Al Stewart and Peter Bellamy. In the second half of the 1970s he would begin to release a series of solo albums.
Swarbrick in concert in Toronto, 1977
Without Thompson, Swarbrick now shouldered even more responsibility for leadership, writing and singing and the result was a remarkably ambitious folk-rock opera album “Babbacombe” Lee, mostly all written by Swarbrick (telling the true story of John “Babbacombe” Lee, a man convicted of murder and sentenced to hang. The scaffold apparatus failed three times and Lee survived to spend much of his life in penal servitude). The result gained the band some mainstream attention, including a BBC TV programme devoted to the work, but was a mixed artistic achievement, with critics noting the lack of variety in the album. When Simon Nicol quit the band in 1971, Swarbrick was the longest standing member and responsible for keeping the group afloat through a bewildering series of line-up changes and problematic projects.
The next album ‘Rosie’ is chiefly notable for the title track, written by Swarbrick, which is perhaps the song most closely associated with him, but overall it was not a critical success. The following release Nine (1974), relied heavily on the writing partnership between Swarbrick and new member Trevor Lucas, but it perhaps lacked the vitality of previous collaborations. The fortunes of the band rallied when Sandy Denny rejoined in 1974 and on the resulting album Rising for the Moon Swarbrick took more of a back seat in writing and singing.
After Denny’s final departure from the band, Swarbrick managed to steer it through three more studio albums, turning a solo project into a Fairport album Gottle O’Geer (1976) and two albums for Vertigo; The Bonny Bunch of Roses (1977) and Tipplers Tales (1978), which sold poorly, but have since been seen as containing some of Swarbrick’s best fiddle work. However, all this was done amid financial and contractual difficulties and Swarbrick’s hearing problems were becoming severe and were aggravated by amplified performances. In 1979 the band played a farewell concert in Cropredy Oxfordshire and disbanded.
Return to the folk circuit from 1980
Apart from occasional reunions, particularly at the Cropredy Festival, Swarbrick’s performing career since 1980 has focused on small venues and acoustic performances. His first project was a highly regarded duo with former Fairport guitarist Simon Nicol, which produced three albums. In 1984 Swarbrick decided to move to Scotland, while Nicol remained in Oxfordshire and the partnership dissolved. This also meant that he was unavailable when Fairport regrouped to record the album Gladys’ Leap (1985) and made public his dislike of the project, refusing to play the material at the next Cropredy Festival. When the band reformed in 1986 it did so without him, although he has played with them on several occasions, particularly at the Cropredy Festival.
By the time of the Fairport reformation Swarbrick was already occupied with his next project as part of a quartet under the name Whippersnapper, with the highly regarded musicians Martin Jenkins, Chris Leslie and Kevin Dempsey. The group produced four albums between 1985 and 1989. From this point Swarbrick left to renew his partnership with Martin Carthy, but after two albums: Life And Limb (1990) and Skin And Bone (1992), he decided to emigrate to Australia in 1994.
There he formed a new partnership with guitarist and singer-songwriter Alistair Hulett. They produced one album in Australia, Saturday Johnny and Jimmy The Rat (1996) and following Swarbrick’s return soon after, made two more. In this period Swarbrick guested on projects with some of the most highly regarded figures in folk rock, including Steve Ashley, John Kirkpatrick, and Bert Jansch as well as continuing to record and tour with Martin Carthy. Prior to returning to England, Swarbrick recorded on what would be the first of over 500 recordings of the now legendary Australian composer Pete Hawkes, playing fiddle on just a few tracks on what would be his debut album ‘secrets vows and lies’ released by Festival Records. It was released as a duo by the label, who had control of production but Hawkes obtained the rights back from Festival some years later, and re-released the album, (and in consideration of Swarbrick’s contribution), noted him only as a special guest, (along with other guests on the re-release such as Phil Emmanuel, elder brother of Tommy Emmanuel). In an interview with the ABC, Hawkes had said that Swarbrick had actually recorded several tracks to tape, but he could only use three of them and the engineer Ian Blake and he decided not to release the others. After a performance with local folk rock band Eureka! in Sydney, Dave joined the band in the studio just prior to moving back to England, producing a 6 track CD – “Jammin’ with Gypsy” – where he played on all tracks.
Health, premature obituary and renaissance] For many years Swarbrick suffered steadily worsening health because of emphysema. There was considerable embarrassment for the Daily Telegraph newspaper when on 29 April 1999 it published a premature obituary for Swarbrick after he was admitted to hospital with a chest infection. Swarbrick is reported to have commented, “It’s not the first time I’ve died in Coventry.”
Dave and Christine Pegg launched the SwarbAid, including a fund-raising concert at Birmingham’s Symphony Hall in July 1999, and a limited-edition EP recorded live, in order to raise funds for Swarbrick whilst his poor health was preventing him from working. After a relapse they launched SwarbAid II with a similar concert in 2004.
Swarbrick received a double lung transplant in October 2004 and has since resumed his career with fervour, as a solo performer and annually on tour in the UK every autumn with Martin Carthy. Swarbrick is also linked with Canadian reggae performer Jason Wilson and his band (the album: “Lion Rampant” released 2014). Swarbrick’s highly acclaimed solo album “Raison d’être” was released in July 2010.
In 2006 Swarbrick started touring again with ex-Fairporter Maartin Allcock and Kevin Dempsey as the aptly named Swarb’s Lazarus, producing the album Live and Kicking (2006); and appearing at the Cropredy Festival. On 10 August 2007, Swarbrick joined the 1969 Fairport Convention line up, with Chris While standing in for the late Sandy Denny, to perform the whole of the album Liege & Lief.
In 2008 Whippersnapper reformed and played a short 5 date tour. There is a possibility of a live album and a further reunion in 2009.
In 2009, Swarbrick played a two-show “Ballads, Reels & One-Drops” swing with a pair of well-known Canadian artists: award-winning folk singer David Francey and reggae/jazz innovator Jason Wilson, on 8 May at Hugh’s Room in Toronto, Canada and the following evening in Wakefield, Quebec at the Blacksheep Inn.
On 14 August 2010 Swarbrick joined Fairport Convention on stage for an impromptu performance of Sir Patrick Spens.
During 2010 he also joined with another veteran British Folk artist Martin Carthy to play at the Cornwall Folk Festival in Wadebridge.
He made a guest appearance with Fairport at the Town Hall, Birmingham March 2011 and on 31 July 2011 Swarbrick and Carthy celebrated their 70th birthdays on stage at Sidmouth Folk Week.
Swarbrick and Carthy also performed together at the Cambridge Folk Festival on 28 July 2013.
In April and May 2014, Dave did a 17-venue tour of the UK, supported by folk trio Said the Maiden at his personal request. The tour, organised by Helen Meisner of the Folkstock Foundation, of which Swarbrick is the patron, also featured at each venue young, up-coming folk artists, several of them from the Folkstock stable.
Swarbrick is married to the painter Jill Swarbrick-Banks. They met in 1998 and married in following year.
In 2003, he was awarded a ‘Gold Badge’ by the English Folk Dance and Song Society and the ‘Gold Badge of Merit’ by the British Academy of Composers and Songwriters. In 2004 he was given a Lifetime Achievement Award at the BBC Radio 2 Folk Awards. At the 2006 Folk Awards he shared with current and past Fairport Convention members when they received an award when their seminal album Liege & Lief was voted ‘Most Influential Folk Album of All Time’ by Radio 2 listeners. At the 2007 awards Martin Carthy and Dave Swarbrick won the ‘Best Duo’ Award. At the 2012 Fatea awards Dave Swarbrick was awarded The Life Time Achievement Award.
With Fairport Convention see Fairport Convention discography
With the Ian Campbell Folk Group
Ceilidh at the Crown (EP) (Topic, 1962)
Songs of Protest (EP) (Topic, 1962)
The Sun Is Burning / The Crow and the Cradle (single) (Topic, 1963)
This Is The Ian Campbell Folk Group (Transatlantic, 1963)
Across the Hills (Transatlantic, 1964)
The Ian Campbell Folk Group (Decca, 1964)
Presenting the Ian Campbell Folk Group (Contour, 1964)
Coaldust Ballads (Transatlantic, 1965)
A Sample of The Ian Campbell Folk Group (Transatlantic, 1966)
Contemporary Campbells (Transatlantic, 1966)
Four Highland Songs (EP) (Transatlantic, 1966)
The Ian Campbell Folk Group, This Is The Ian Campbell Folk Group / Across the Hills (Castle Music, 1996)
Contemporary Campbells / New Impressions (Castle Music, 1997)
The Times They Are A-Changin (Castle Music, 2004)
On Ewan MacColl, A.L. Lloyd and Peggy Seeger albums
Whaler Out of New Bedford (Folkways, 1962)
The Big Hewer (The Radio Ballads Vol 4) (Argo, 1967)
The Fight Game (The Radio Ballads Vol 7) (Argo, 1967)
The Travelling People (The Radio Ballads Vol 8) (Argo, 1968)
On Ewan MacColl and A.L. Lloyd albums
A Sailor’s Garland (Prestige, 1962)
With various artists
Edinburgh Folk Festival Vol. 1 (Decca, 1963)
Edinburgh Folk Festival Vol. 2 (Decca, 1964)
Farewell Nancy: Sea Songs and Shanties (Topic, 1964)
The Bird in the Bush: Traditional Erotic Songs (Topic, 1966)
The Best of British Folk Music (Transatlantic, 1966)
Nice Enough to Eat (Island, 1969)
El Pea (Island, 1971)
Clogs (Peg Records, 1972)
Club Folk Volume 1 (Peg Records, 1972)
Club Folk Volume 2 (Peg Records, 1972)
Rave On (B&C/Mooncrest, 1974)
The Camera and the Song (Super Beeb, 1975)
The Electric Muse (Island/Transatlantic, 1975)
Rosin the Bow: An Introduction to the World of Fiddle Music (Transatlantic, 1977)
The Best of Irish Folk (1978)
Transatlantic – The Vintage Years (Transatlantic, 1978)
40 Folk Favourites (Pickwick, 1979)
Chants de Marins IV: Ballades, Complaintes et Shanties des Matelots Anglais (Le Chasse-Marée, 1984)
Flash Company – A Celebration of the First 10 Years of Fellside Recordings (Fellside, 1986)
Island Life: 25 Years of Island Record (Island, 1988)
Blow the Man Down: A Collection of Sea Songs and Shanties (Topic, 1993).
Club Sandwich (cassette) (Musikfolk, 1993)
Tanz- & Folkfest Rudolstadt 1992 (HeiDeck, 1993)
The World Is a Wonderful Place (Hokey Pokey, 1993)
Undefeated (cassette) (Fuse, 1993)
Folk Routes (Island, 1994)
Troubadours of British Folk, Vol. 1: Unearthing the Tradition, (Rhino, 1995)
Troubadours of British Folk, Vol. 2: Folk into Rock (Rhino, 1995)
Various Artists, The Bird in the Bush: Traditional Songs of Love and Lust (Topic, 1996)
Georgia on Our Mind (Deep Sea, 1997)
New Electric Muse II (Castle Music, 1997)
Bold Sportsmen All (Topic, 1998)
The Rough Guide to English Roots Music (World Music Network, 1998)
Various Artists, English Originals (Topic, 1999)
The Fiddle Collection Volume One (Hands On Music, 1999)
The Folk Collection (Topic, 1999)
Heart of England: In Aid of Teenage Cancer Trust (Teenage Cancer Trust, 2001)
Flash Company – A Celebration of 25 Years of Fellside Recordings (Fellside, 2001)
Raise Your Banners: Festival of Political Song (Raise Your Banners Festival, 2001)
The Acoustic Folk Box (Topic, 2002)
Red Roots (Red Planet, 2002)
Heart of England 2: In Aid of Teenage Cancer Trust (Teenage Cancer Trust, 2002)
Strangely Strange But Oddly Normal: An Island Anthology 1967–1972 (Universal/Island, 2005)
Anthems in Eden: An Anthology of British & Irish Folk 1955–1978 (Castle, 2006)
The Fairport Companion: Loose Chippings from the Fairport Family Tree (Castle Music, 2006)
Garden of Delight (Discothèque, 2006)
Scarborough Fair (Castle Music, 2006)
Various Artists, White Bicycles: Making Music in the 1960s (Fledg’ling, 2006)
Folk Awards 2007 (Proper Folk, 2006)
On Martin Carthy albums
Martin Carthy (Fontana, 1965)
Martin Carthy, This is … Martin Carthy: The Bonny Black Hare and Other Songs (Philips, 1971)
Martin Carthy, The Carthy Chronicles (Free Reed, 2001)
With Martin Carthy
Second Album (Fontana, 1966)
Byker Hill (Fontana, 1967)
No Songs (EP) (Fontana, 1967)
But Two Came By (Fontana, 1968)
Prince Heathen (Fontana, 1969)
Selections (Pegasus, 1971)
Life And Limb (Special Delivery, 1990)
Skin And Bone (Special Delivery, 1992)
Both Ears and the Tail: Live at the Folkus Folk Club, Nottingham, 1966 (Atrax, 2000)
Straws In The Wind (Topic, 2006)
On Julie Felix albums
Changes (Fontana, 1966)
On A.L. Lloyd albums
First Person (Topic, 1966)
Leviathan! Ballads and Songs of the Whaling Trade (Topic, 1967)
The Great Australian Legend: A Panorama of Bush Balladry and Song (Topic, 1971)
Classic A. L. Lloyd (Fellside, 1994)
A.L. Lloyd, The Old Bush Songs (Larrikin, 1994)
With Martin Carthy and Diz Disley
Rags, Reels & Airs (Polydor, 1967)
On Nigel Denver albums
Rebellion! (Decca, 1967)
On Vashti Bunyan albums
Just Another Diamond Day (Philips, 1970)
On John Renbourn albums
The Lady and the Unicorn (Transatlantic, 1970)
On Sandy Denny albums
Sandy (Island, 1972)
Who Knows Where the Time Goes? (Island, 1986)
The Best of Sandy Denny (Island, 1987)
No More Sad Refrains: The Anthology (Island, 2000)
A Boxful of Treasures (Fledg’ling, 2004)
On Al Stewart albums
Past, Present & Future (CBS, 1973)
On Brian Maxine albums
Ribbon of Stainless Steel (Columbia, 1974)
On Lorna Campbell albums
Adam’s Rib (Transatlantic, 1976)
On Richard Thompson albums
(guitar, vocal) (Island, 1976)
Watching the Dark – The History of Richard Thompson (Hannibal, 1993)
RT: The Life and Music of Richard Thompson (Free Reed, 2006)
On Peter Bellamy albums
The Transports (Free Reed, 1977)
Both Sides Then (Topic, 1979)
Swarbrick (Transatlantic, 1976)
Swarbrick 2 (Transatlantic, 1977)
Lift The Lid and Listen (Sonet, 1978)
The Ceilidh Album (Sonet, 1978)
Smiddyburn (Logo, 1981)
Flittin’ (Spindrift, 1983)
When the Battle is Over [compilation from: Swarbrick (1976); Swarbrick 2 (1977); Smiddyburn (1981)] (Conifer, 1986)
Live at Jackson’s Lane (Musikfolk, 1996)
Dave Swarbrick, Swarb! (Free Reed, 2002)
English Fiddler: Swarbrick plays Swarbrick (Naxos World, 2003)
It Suits Me Well:The Transatlantic Anthology (Castle, 2004)
Raison d’être (Shirty, 2010)
On Bat McGrath albums
Whatever Happened to Jousting? (Manana, 1980)
With Simon Nicol
Live at the White Bear (White Bear, 1981)
In the Club (cassette)(1982)
Close to the Wind (Woodworm, 1984)
Close to the White Bear (Woodworm, 1998) [compilation from Live at the White Bear and Close to the Wind] Another Fine Mess: Live in New York ’84 (Atrax, 2002)
When We Were Very Young (Talking Elephant, 2010)
Promises (WPS, 1985)
Tsubo (WPS, 1987)
These Foolish Strings (WPS, 1988)
Fortune (WPS, 1989)
On Voice of the Beehive albums
Let It Bee (London, 1988)
On Leon Rosselson albums
Wo sind die Elefanten? (Fuse Records, 1992)
On Band of Hope albums
Rhythm & Reds (Musikfolk, 1994)
On Pete Hawkes albums
Secrets, Vows & Lies (Select Records, 1996)
Unspoken Riddles (Select Records, 1996)
With Alistair Hulett
Saturday Johnny and Jimmy The Rat (Red Rattler, 1996)
The Cold Grey Light of Dawn (Musikfolk, 1998)
Red Clydeside (Red Rattler, 2002)
On Keith Hancock albums
Born Blue (Nico’s Records, 1997)
Collaboration with Eureka!
Jammin’ with Gypsy (Word of Mouth, 1998)
Compilations including other artists
Folk on 2: Dave Swarbrick’s 50th Birthday Concert (Cooking Vinyl, 1996)
Dave Pegg and Friends, Birthday Party (Woodworm, 1998)
Swarb (box set) (2003)
It Suits Me Well (2004)
Collaboration with Dave Swarbrick and Fairport Convention
On Steve Ashley albums
Stroll On – Revisited (Market Square, 1999)
On Roy Bailey albums
Coda (Fuse, 2000)
On John Kirkpatrick albums
Mazurka Berserker (Fledg’ling, 2001)
On Bert Jansch albums
Edge of a Dream (Sanctuary, 2002)
With Swarb’s Lazarus
Live and Kicking (Squiggle, 2006)
With The Jason Wilson Band
The Peacemaker’s Chauffeur (Wheel, 2008)
“Lion Rampant” Wheel/Proper, 2014
With The Geoff Everett Band
The Quick and the Dead (2012)
With Red Shoes
All The Good Friends (2012)
With Said The Maiden
A Curious Tale (Maiden Records, 2014)
“Swarbrtricks” Duncan Wood & Guests
Dave playing with the Ian Campbell Group at the Jug of Ale
60s folk trio
Harvey John Andrews (born 7 May 1943 in Stechford, Birmingham) is an English singer, songwriter, and poet.
From 1964, Andrews supported his nascent career as a singer/songwriter by working as a schoolteacher, before becoming a full-time professional musician in 1966.
Harvey Andrews has produced 17 successful albums singing his own songs, many of which have also been recorded by other artists.
His emotive Soldier transmits the same quiet desperation of a soldier about to die “in conflict” as Wilfred Owen’s Dulce Et Decorum Est, though in a very different setting. In fact, the contrast of a battlefield to a commonplace urban setting and the proximity of children makes the situation even more poignant and the loss of a young life even more tragic.
Hey Sandy on the album Writer of Songs is another description of the senseless loss of a young life in conflict. It is based on the death of a female student, Sandra Scheuer, who was shot by the Ohio National Guard at the Kent State University in the U.S. anti Vietnam War demonstration of 1970, although, unlike the Sandy of Andrews’ song, the real student was not directly involved in the demonstration. The album version of the song is an unusual, but powerful, arrangement, in which the first verse is sung to the accompaniment of a solo double bass, played by Danny Thompson. The recording was never issued in the USA until Kent State University’s commemorative CD was released in 2005. It reached number 2 in the New Zealand chart in November 1972. In stark contrast, his Boothferry Bridge and Gift of a Brand New day reflect the contentment of the simple pleasures of everyday life.
He collaborated on a successful musical depicting life growing up in Birmingham in the forties and fifties. “Go Play Up Your Own End” has been well received across the Midlands, especially in its production in 2006 featuring Jasper Carrot in a major role, but has yet to make the transfer to London. The musical has played at the Birmingham Repertory Theatre, the Birmingham Hippodrome and the Alexandra Theatre, thus setting a record of having been staged at every one of the second city’s major theatres.
In 2007 he published a musical memoir “Gold star to the Ozarks”. Harvey retired from full-time concert performances in October 2012 with a series of concerts at The Guild Hall, Lichfield.
He is father of the author Scott Andrews.
He has appeared at many festivals including Tonder in Denmark, Lunenburg and Regina in Canada, and five Cambridge Folk Festivals in the U.K. Tours have taken him to Canada, Newfoundland, U.S.A, Germany, Cyprus, Belgium, Ireland, Switzerland, Belize, Malta, Holland, Sardinia, Gibraltar, Italy, Portugal, Denmark and Ascension Island.
Television appearances include The Old Grey Whistle Test, Rhythm on Two and over 50 other shows. He has made two television specials featuring his songs, The Camera and The Song, and The Same Old Smile. Two further specials were produced in Holland and Ireland. He wrote and sang the theme songs for the TV series Golden Pennies and The Haunted School and sang the theme song in the British movie Psychomania. He has hosted BBC Radio Two’s Folk on Two and a Radio Four Kaleidoscope special was devoted to his work.
The lyrics of one of his songs were used in course work for the national (England and Wales) GCSE English language examination. Another lyric was included in the Oxford University Book of English Traditional Verse.
In 1996, he was voted International Artiste of the Year in the Canadian Porcupine Awards for Folk music.
“Harvey Andrews EP” (Transatlantic 1966)
Faces And Places (Decca 1970)
Writer Of Songs (Cube 1972)
among the tracks are: “Hey! Sandy” (also “Hey Sandy”), written about Sandra Scheuer
Friends Of Mine (Cube 1973)
Fantasies From A Corner Seat, w/ Graham Cooper (Transatlantic 1975)
Someday (Transatlantic 1976)
Margarita (Beeswing 1980)
Brand New Day (Polydor 1980)
Old Mother Earth (Beeswing 1986)
PG (Beeswing 1988)
25 … Years On The Road (Hypertension 1989)
Spring Again (Hypertension/Ariola 1994)
Snaps – The Family Album (Hypertension 1996)
The Gift (Hypertension 2001)
The Journey (Hypertension 2003)
Somewhere In The Stars (Hypertension 2005)
Resigning from Today. Transatlantic compilation (Sanctuary 2007)
Taken from http://en.wikipedia.org/wiki/Harvey_Andrews
I came across this song by Harvey on You Tube, posted by HeartoftheBeat. It is clearly about his home city Birmingham and is called ‘England My England’ from 1970.
It was with sadness that the Birmingham Music Archive learned of the passing of Ian Campbell yesterday (Saturday 24 November). Ian, along with is sister Lorna and his Folk Group were part of the British Folk Revival in the 6os and were central figures in the vibrant folk scene of Birmingham. Responsible for the first ever live recorded folk album ‘Ceilidh At The Crown’ in 1962.
Following this, they switched their folk club to the Digbeth Civic Hall where they started what was to become the largest Folk Club in England – The Jug O’Punch. At the Jug they performed and played host to luminaries such as Liam Kelly, later of the Dubliners, Joni Mitchell and Paul Simon as well as local and national folk performers. Ian’s group was also home to Britain’s greatest fiddle player Dave Swarbrick and the great guitarist Dave Pegg, both of whom would go on to join Fairport Convention.
Fiercely political, Ian remained true to his Scottish and socialist roots throughout his life and never lost the love of playing and interpreting ballads and folk songs live on stage, and it was this environment where his music really came to life.
Condolences to Lorna and his sons Duncan, Robin, Ali and David.
Below is some amazing footage Ian gave to the archive last year of the Ian Campbell Folk Group playing at The Jug O’Punch, we never got to complete the film but it is a fitting tribute to this wonderful person and Folk great.