Roger Hall drums (left in 1967)
Joe Ellis guitar (left in 1967)
John Edwards tenor sax (left in 1966)
Bill Clarke bass guitar (left in 1968)
John Burnett trumpet (joined 1966, left 1968)
Barry Lunn organ (joined 1966, left 1968)
John Howells lead vocal (joined 1966, left 1968)
Frank Rudge tenor sax (joined 1966, left 1968)
John Barry baritone sax (joined 1967, left 1967)
Charlie Grima drums (joined 1967, left 1968)
Vernon Perriera guitar (joined 1967, left 1968)
John Hill bass guitar (joined 1967, left 1968)
Bob Chatwin trumpet (joined 1967, left 1968)
Frank Fern saxophone (joined 1967, left 1968)
Chris Brown organ (joined 1968, left 1968)
The band was formed in 1965 when Joe Ellis, Roger Hall, John Edwards and Bill Clarke
became the first four members of the group known as “Blues Ensemble”.
All experienced musicians, they agreed to turn themselves into
a top seven-piece outfit playing the best in blues and soul.
They kept a look out on the scene and soon added John Burnett,
a promising young trumpet player, and organist Barry Lunn, ex Misphits.
All that was missing now was the right man to front the band.
This position was filled by John Howells who was previously the lead vocalist
from the top Wolverhampton group The ‘N Betweens (later to become Slade).
It was at this point that the band was ready to progress and advance its music.
They were approached by Phillips records to cut their first disc
with the Walker Brothers’ Recording manager Johnnie Walker in charge.
In 1967, tenor sax player John Edwards left the band and was replaced by
Frank Rudge from Giorgio and Marcos Men.
Baritone sax player John Barry joined from
The Locomotive boosting the band members to eight but, unfortunately,
Joe Ellis left just before the band embarked on their German tour with the new name
of “The Wellington Kitch Jump Band” under the successful management of Jim Simpson.
Wellington Kitch Jump Band
After returning from Germany the band made one more change.
Drummer Roger Hall left the band and was replaced by the up and coming Charlie Grima.
The band was now being used by top London agents to back American artists on their U.K. tours
i.e. The Platters, The Impressions, and the very successful Garnet Mimms.
The band had now risen to new heights and were possibly one of the top three bands in the Midlands.
By 1968 baritone sax player John Barry had left, guitarist Vernon Perriera
came in and the band was ready for a return to Germany, this time a tour of Berlin.
The band were also now playing semi-resident at The Cedar Club in Birmingham
as well as touring under their own name. It was during this period that a further
recording session took place and a future number one was all but guaranteed.
Due to disagreement between management and record company,
the record was shelved and never released.
Because of this the band started to decline.
Within weeks John Burnett, Frank Rudge and Barry Lunn all left the band.
Two weeks later Bill Clarke left to join the Ivy League where he teamed up with former “Kitch” drummer,
Roger Hall. With some new replacements the band carried on until the end of the year and then disbanded.
Note: the 1967-68 line-up of the Wellington Kitch Jump Band also featured former Band Of Joy
bass guitarist John Hill as well as trumpet player Bob Chatwin and saxophonist Frank Fern
(this bit of info was sent by John Hill).
Charlie Grima went on to join the progressive rock outfit Ghost and later joined Roy Wood’s Wizzard
(see The Move) with whom he enjoyed much success. He later embarked on an acting career
and is now teaching music in Kent.
John Howells went on to do his own thing and is still singing in his own band.
Thanks to Bill Clarke and John Howells for supplying
this exclusive story of the Wellington Kitch Jump Band.
Copyright © Bill Clarke
With Special Thanks to
Copyright © John R Woodhouse
Compiled by Keith Law